08th Mar 2010
EDEC 262- Blog 10
Blog 10- This is not a pipe
Margitte’s famous painting, “The Betrayal of Images”, reminds us that whenever we view media we must consider it semiotically. That is, we are at our greatest fault as interpreters when we mistake the image of something for reality itself. Thus, the figure on Margitte’s canvas is not a pipe; it is a representation that resembles a universal pipe we have collectively stored in our minds. To claim that it is a pipe borders on the ludicrous; yet how many times do we mistakenly consider what appears on our screen as actual, tangible and real? How quickly do we have to remind ourselves that the image is merely a representation of reality?
If Miley Cyrus appears on television, should the image be accompanied by a caption that reads, “This is not a girl”? Or if a montage from the local news provides us with imagery from a battle in Afghanistan, should the screen include, “This is not a war”? Hidden below each image is an unseen army of producers, lighting equipment and carefully crafted shots that help hone what we come to believe is reality- but to quote Paul Tillich, to mistake the symbol for the thing it points itself beyond to is little more than idolatry.
Perhaps most frightening about television, film and web saturated media is its ability to convince us that what we are viewing is reality, that the lines between the production of art and the thing it wishes to represent are vanishing and we as viewers are continually situating ourselves smack dab in the middle. What are the consequences of this blurring, when we can’t tell the difference between what is real and what is manufactured?
What are the consequences for our children and our students who don’t know that this is not a person, this is not a role model, this is not a war, this is not a wrestling match, this is not a size zero, this is not a police officer, this is not a slave owner, this is not a pipe?
Robert
Blog 10- This is not a pipe
Margitte’s famous painting, “The Betrayal of Images”, reminds us that whenever we view media we must consider it semiotically. That is, we are at our greatest fault as interpreters when we mistake the image of something for reality itself. Thus, the figure on Margitte’s canvas is not a pipe; it is a representation that resembles a universal pipe we have collectively stored in our minds. To claim that it is a pipe borders on the ludicrous; yet how many times do we mistakenly consider what appears on our screen as actual, tangible and real? How quickly do we have to remind ourselves that the image is merely a representation of reality?
If Miley Cyrus appears on television, should the image be accompanied by a caption that reads, “This is not a girl”? Or if a montage from the local news provides us with imagery from a battle in Afghanistan, should the screen include, “This is not a war”? Hidden below each image is an unseen army of producers, lighting equipment and carefully crafted shots that help hone what we come to believe is reality- but to quote Paul Tillich, to mistake the symbol for the thing it points itself beyond to is little more than idolatry.
Perhaps most frightening about television, film and web saturated media is its ability to convince us that what we are viewing is reality, that the lines between the production of art and the thing it wishes to represent are vanishing and we as viewers are continually situating ourselves smack dab in the middle. What are the consequences of this blurring, when we can’t tell the difference between what is real and what is manufactured?
What are the consequences for our children and our students who don’t know that this is not a person, this is not a role model, this is not a war, this is not a wrestling match, this is not a size zero, this is not a police officer, this is not a slave owner, this is not a pipe?
Robert
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